![]() The opening series of songs traces a path from restlessness to reaffirmation, in which the rootless “Unknown Legend” and the doubt-filled narrator of “From Hank to Hendrix” finally find contentment beneath the “Harvest Moon. Harvest Moon sounds like the calm after the storm, with a hushed musical landscape at times populated only by a ghostly harmonica, a few spooky bass lines and Young’s cracked, lonesome tenor. Come a little bit closer Hear what I have to say Just like children sleepin We could dream this night away But theres a full moon risin Lets go dancin in the light We know where the musics playin Lets go out and feel the night Because Im still in love with you I want to see you dance again Because Im still in love with. When Young last explored the same subject on Ragged Glory, from 1990, he whipped up great funnel clouds of feedback. But beneath its placid surface are the craggy scars of middle age, when holding onto and cherishing love is a lot more difficult than finding it. Harvest was a mellow bestseller, an uncharacteristic middle-of-the-road pit stop in a decade of deeply personal and sometimes highly eccentric releases, and Harvest Moon also sounds as if it was made for lazy hammock-swinging afternoons. The title echoes Harvest, Young’s countryish album of two decades ago, and the music recalls its gentle flavor. So it should come as no surprise that after a couple of albums in which he explored the outer limits of guitar noise, Young has pulled the plug, strapped on his acoustic and wheeled in the pedal steel for Harvest Moon. Neil Young has spent the last twenty years flitting from style to style like a moth trapped in a warehouse full of light bulbs.
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